{"id":9127,"date":"2025-05-05T14:41:08","date_gmt":"2025-05-05T12:41:08","guid":{"rendered":"https:\/\/fundacioneduardonaranjo.org\/biografia\/"},"modified":"2026-09-11T03:23:15","modified_gmt":"2026-09-11T01:23:15","slug":"biography","status":"publish","type":"page","link":"https:\/\/fundacioneduardonaranjo.org\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"\t\t
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Early years<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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1944<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He was born on August 25th in Monesterio (Badajoz), into a family of small farmers.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1950 – 1957<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He completed his primary education at the Monesterio Children’s Schools. His passion for drawing and sculpture awoke very early on. Soon his inclination shifted towards painting.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1957 – 1960<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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In early 1957, he was introduced to Eduardo Acosta, who would become his first teacher. In October of that year, he enrolled in the Escuelas de Artes y Oficios, where he completed four years with an outstanding average, winning the center’s first prize in competitive examinations. The Monesterio town council awarded him a grant of 5,000 pesetas. The following year, at the main campus, he won the “El Antiguo” drawing prize. He studied at the Artes y Oficios School until 1960, when he entered the Santa Isabel de Hungr\u00eda School of Fine Arts. This followed his winning major prizes in youth competitions in Seville and Badajoz, and the awarding of the Bartolom\u00e9 Esteban Murillo scholarship by the Seville Provincial Council in 1959 at the Spring Exhibition for his work “Bodeg\u00f3n con paloma disecada.” The Badajoz Provincial Council also awarded him a scholarship to study Fine Arts, specializing in painting.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Artistic training<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t1960 – 1961<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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He studied the Preparatory Course at Santa Isabel de Hungr\u00eda. He received the award for the best grade in the school. As a scholarship recipient from the Provincial Council of Seville, he traveled through Extremadura, painting landscapes that would later form part of his first solo exhibition in the galleries of the Ateneo Sevillano.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In 1961, he moved to Madrid to study at the San Fernando School of Fine Arts. That same first year, he won the Portrait Prize and the Drawing Prize from the Royal Academy. In 1965, he completed his painting studies. He participated in the “Paisajes” exhibition in Alicante, the “Muestra al aire libre en la Plaza Mayor” and other exhibitions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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He studies “Mural Painting” with Manuel Villase\u00f1or, and “Intaglio Engraving” with Luis Alegre. He began his Expressionist stage and, at the same time, attended classes at the C\u00edrculo de Bellas Artes.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t1966 – 1967<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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He is a scholarship recipient from the Ministry of Education and Science for teacher training and an assistant to the painter Pedro Mozos and to Germ\u00e1n Calvo in the classes of “Color and Composition” and “Pictorial Procedures,” respectively. He participates for the first time in the renowned national exhibitions with the painting “At Night” and two drawings.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Professional beginnings<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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1968<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He returned to the National Exhibition with two paintings: “Movimiento s\u00edsmico” and “Los Sanfermines”, as well as graphic works. His engraving “Triste homenaje” earned him a third-place medal. His second solo exhibition was held at the Club Pueblo, this time featuring his expressionist or neo-figurative work from recent years. The catalog was presented by the renowned writer and critic Jos\u00e9 Mar\u00eda Moreno Galv\u00e1n.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1969<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He went to Paris, France, on a scholarship from Castellblanch, where he lived for a time. He became acquainted with the Impressionists and the most avant-garde art of recent decades, but it was Cubist painting and Picasso’s Neoclassicism that inspired his final Expressionist period and his subjective geometric abstraction. Some of these works were exhibited in the National Competitions in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t1970 – 1971<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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It begins its realistic stage that it will cultivate in a long journey and evolution until today. Participate in the exhibition “El Paisaje Espa\u00f1ol por Sudam\u00e9rica”, organized by the Spanish Institute of Ibero-American Culture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1972<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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His first realist exhibition takes place at the Loring Gallery in Madrid. It is presented in the form of a personal letter by Ram\u00f3n Faraldo. He enters the Blanco y Negro Prize competition. His work is a finalist and is acquired by G. Luca de Tena.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1973<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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A second exhibition is held in the same gallery, presented by the poet Jos\u00e9 Hierro. It receives enormous critical acclaim. ABC dedicates its Reportaje gr\u00e1fico” pages to it, with a prologue by Jos\u00e9 Cam\u00f3n Aznar. Carlos Murciano dedicates one of his most beautiful poems to it in his book “Breviario.” It also participates in the “Marko” group exhibition in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1974<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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His drawing “Sue\u00f1os blancos” earned him the “Luis de Morales Prize” in Badajoz. He also participated in the group exhibition “Anthology of Contemporary Spanish Painting” at the Avi\u00f1\u00f3n Gallery in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1975<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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With his large-format painting, like others from this period, “Espacio para un sue\u00f1o”, he was entered in the Grand Prize for Painting at the C\u00edrculo de Bellas Artes. It was only a finalist and was one of the works that sparked considerable controversy in Madrid’s art magazines and newspapers at the time. It was one of the pieces included in the exhibition “Between Abstraction and Realism,” held at the Avi\u00f1\u00f3n Gallery in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Consolidation<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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1976<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Works of his are featured at the “Artexpo” art fair in Barcelona. They are also included in “El boceto en el arte” at the Balboa-13 gallery and in “El realismo espa\u00f1ol contempor\u00e1neo” at the Columela Gallery in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1977<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Participates in the exhibitions “Small works by great masters”, “La maternidad”, and “El dibujo en el arte”, Kandinsky gallery, Madrid. Also in “Navidal”, Palacio de Cristal, Madrid, and “El dibujo”, Balboa-13 gallery, Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1978<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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“En torno al realismo” (On Realism), Arts Gallery, Valencia, and “Spanish Art Today,” Niavaran Cultural Center, Tehran. The latter featured, as its centerpiece, a portrait of Farah Diba commissioned by the Iranian Embassy for the Tehran Museum of Contemporary Art.
“Realisme espagnole 78,” Nabega Gallery, Geneva (Switzerland). Included in the ill-fated “Spanish Realism” exhibition at the Pushkin Museum in Moscow.
“Les refus\u00e9s,” Heller Gallery, Madrid. “Peque\u00f1o formato” (Small Format), Biosca Gallery, Madrid.
Adriano del Valle\u2014son of the renowned Andalusian poet\u2014filmed a magnificent feature for *NO-DO* in his studio.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1979<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He held his third\u2014and highly significant\u2014solo exhibition at the Biosca Gallery in Madrid, presented by A. Manuel Campoy. In addition to countless other reviews and articles, Amando Osorio produced a second film for *NO-DO*. At the end of the year, he was named “Visual Artist of the Year” by a large jury drawn from the worlds of art and culture. He also participated in the exhibition *El ni\u00f1o en el arte* (The Child in Art) at the C\u00edrculo de Bellas Artes in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1980<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Solo exhibition at “Art 11’80” in Basel, Switzerland. Participation in the exhibitions “El realismo y la Escuela Sevillana” (Ateneo galleries, Madrid) and “El intimismo en la pintura espa\u00f1ola. Siglos XIX y XX” (Santo Domingo, Dominican Republic). The C\u00edrculo de Bellas Artes in Madrid awarded him a medal in recognition of his service as the board member responsible for painting. A first monograph on the artist was published, featuring texts by Jos\u00e9 Hierro, Paco Nieva, Miguel Fisac, J.A. Vallejo-N\u00e1jera, J. Luis Mart\u00edn Descalzo, and Joaqu\u00edn Castro Beraza. The radio network Cadena SER named him “Extreme\u00f1o del a\u00f1o”, The book was presented in Madrid by Luis Mar\u00eda Ans\u00f3n.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1981<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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A retrospective exhibition is held at Galer\u00eda Punto in Valencia, as well as at El Brocense in C\u00e1ceres, the Cultural Halls in Badajoz, and in Monesterio. The aforementioned monograph is presented in Badajoz\u2014in the Provincial Council\u2019s assembly hall\u2014by the architect Miguel Fisac. Manuel Pacheco dedicates one of his finest ballads to him: “Romance para nombrar la pintura de Eduardo Naranjo” (Ballad to Name the Painting of Eduardo Naranjo). Monesterio names him an “Illustrious Son.” He resumes his work as a printmaker by participating in the book *La Constituci\u00f3n Espa\u00f1ola* (The Spanish Constitution) alongside artists such as Genov\u00e9s, Pepe Caballero, and Mir\u00f3. He takes part in the exhibitions “La realidad subjetiva” (Subjective Reality) at Galer\u00eda Abside in A Coru\u00f1a, “Realismo en Espa\u00f1a” (Realism in Spain) at the Complutense University\u2019s Visual Arts Hall in Madrid, and “Peque\u00f1o formato” (Small Format) at Galer\u00eda Biosca in Madrid. The Badajoz Press Association awards him the “i” for “Important.”<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1982<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He created the portrait of Antonio Hern\u00e1ndez Gil for the Congress of Deputies, the painting *El corto vuelo del p\u00e1jaro* for Barajas Airport, and the engraved diptych dedicated to Gabriel y Gal\u00e1n, titled *Pl\u00e9tora*. He also participated in the exhibition “Contraparada -3” in Murcia, organized by the Department of Culture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1983<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Among other works, he created the print portfolio “La Creaci\u00f3n” and the portrait of Javier Benjumea for the gallery of chairmen at Altos Hornos de Vizcaya.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1984<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He is responsible for the set design and atmosphere of *La casa de Bernarda Alba* by F. Garc\u00eda Lorca, working alongside Miguel Narros and J. Carlos Plaza. Chase Manhattan Bank acquires one of his recent works for its collection. Professor Vaz Romero delivers an interesting lecture in C\u00e1ceres, accompanied by visual projections, titled “Eduardo Naranjo … ese mito”.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1985<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He participates in the following exhibitions: “Artistas en Madrid” at the Museum of Contemporary Art (Conde Duque galleries), “Figuras y figuraciones” at the Juan Gris Gallery, and “Arco 85” with the V\u00edctor Mart\u00edn Gallery\u2014all held in Madrid.
The Japanese magazines *The Magazine of Fine Arts* and *Mizue Winter* feature extensive articles on him. He is named an elected member of the Royal Academy of Arts and Letters of Extremadura.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Scenic stage<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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1986<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He begins the engravings for the book *Poeta en Nueva York* by F. G. Lorca, a project he will complete in 1991. He participates in the exhibition “La multiplicidad en el arte” at the Madrid Congress and Exhibition Centre, which acquires one of these works.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1987<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He participated in the exhibitions “Cita con el dibujo” (Alfama Gallery, Madrid), the Stockholm Art Fair, and “Obra original gr\u00e1fica” (V\u00edctor Mart\u00edn Gallery, Madrid), and exhibited the completed engravings for *Poeta en Nueva York* for the first time at the Madrid Book Fair with Hisp\u00e1nica de Bibliofilia.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1988<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Works have been featured in exhibitions such as “Realismo y figuraci\u00f3n” (Realism and Figuration) at the Rodr\u00edguez Acosta Foundation, Granada; “La estampa contempor\u00e1nea” (Contemporary Printmaking) at the Conde Duque Cultural Center, Madrid; “Obra gr\u00e1fica” (Graphic Work)\u2014alongside Jos\u00e9 Caballero\u2014at Galer\u00eda Gaud\u00ed, Madrid; “Nuevas tendencias” (New Trends) at Galer\u00eda El Ensanche, Valencia; and “Inter-Arte” in Valencia, with Galer\u00eda Juan Gris.
The Modern Graphic Art Museum in Cairo acquired two works from this period.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1989<\/strong><\/p>

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He travels to Cuba at the invitation of the Cuban Fund for Cultural Assets for the 3rd Third World Biennial and the 3rd International Serigraphy Meeting. His solo exhibition of prints is held at the Victor Manuel Gallery in Havana.
He is featured in the exhibition “Existencia. 14 maestros del realismo” (Existence: 14 Masters of Realism) at the Caja de San Fernando in Seville.
On August 26, the town of Monesterio and the Regional Government of Extremadura pay tribute to him by naming a street after him.
Xing Xiaosheng, a professor, historian, and art critic from Beijing (China), delivers lectures at major universities in his country and at the Prado Museum in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1990<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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It is part of the “Promoci\u00f3n 65” exhibition at the galleries of the Royal Academy of Fine Arts of San Fernando in Madrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Acknowledgments<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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1991<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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He wrote the text “Extremadura en la magia de la mirada” (Extremadura in the Magic of the Gaze) for the book *Extremadura en verde, blanco y negro*. He handled the set design, costumes, atmosphere, and posters for the play *Hazme de la noche un cuento* by Jorge M\u00e1rquez\u2014directed by Manuel Collado and staged that same year at the Bellas Artes Theatre in Madrid. An exhibition showcasing this work was held at the Moctezuma Palace in C\u00e1ceres, coinciding with the Theatre Festival. Among other activities, his article “Vel\u00e1zquez y nuestra verdad ignorada” (Vel\u00e1zquez and Our Ignored Truth) was published in *Blanco y Negro* magazine, and he delivered several lectures at the Faculty of Fine Arts in Madrid.
He contributed a dedicated drawing to the “Exposici\u00f3n homenaje a Camilo Jos\u00e9 Cela”\u2014a piece that became part of the author’s foundation\u2014as well as to the “I Bienal internacional de grabado Prieto Nespereir\u00ada” in Ourense and the “Maestros sobre papel” exhibition at the Gaud\u00ed Gallery in Madrid.
He was a key participant in the exhibition “Real\u00adismos. Arte contempor\u00e1neo Espa\u00f1ol”, organized by the prestigious *Asahi Shimbun* newspaper; the exhibition toured Japan from September to November, appearing at Takashimaya Museum galleries in Tokyo, Osaka, Kyoto, and Yokohama.
Other exhibitions included “Estampa contempor\u00e1nea actual” (organized by the Royal Academy of Fine Arts, the Calcograf\u00eda Nacional, and the Madrid City Council at the Conde Duque Cultural Center); “Grafit-Art” in Barcelona; and “Poemas y pintura”, alongside poets and painters such as Octavio Paz, Antoni T\u00e0pies, Luis Gordillo, Jorge Guill\u00e9n, Jos\u00e9 Guerrero, Alberti, Jos\u00e9 Miguel Ull\u00e1n, and Jos\u00e9 Hern\u00e1ndez. The D\u00edez Alcolea Gallery held an exhibition of his prints based on *Poeta en Nueva York*.
Fondarm-Masabeu acquired a small painting from 1976 at auction. Later, in 1992, the organization acquired two important, recent pieces from the artist. He was honored with the “Extreme\u00f1o de Hoy” award and the Gold Medal of Extremadura.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1992<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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“Tokyo Art Expo” fair, Tokyo International Trade Center in Harumi, Japan.
On May 9, Antonio Zoido Naranjo gives a lecture on the artist at the Extremadura Pavilion at Expo ’92, an event sponsored by the Monesterio City Council.
During June and July, as part of the “Art-Extremadura” series, four of his works are exhibited at the Extremadura Pavilion at the Expo (the Seville World’s Fair).
Lerner & Lerner publishes a second monograph featuring text by Joaqu\u00edn de la Puente. On December 15, he is elected a Corresponding Academician of the Royal Academy of Fine Arts of Santa Isabel de Hungr\u00eda in Seville.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1993<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Traveling retrospective exhibition:
Centro Cultural de la Villa, Madrid. March 2\u2013May 2.
Salas de Cultura y Patrimonio, Badajoz. May 14\u2013June 9.
Palacio de San Jorge, C\u00e1ceres. June 17\u2013July 6.
2nd Contemporary Art Exhibition, Almendralejo (May 22); Hall of Mirrors, Carolina Coronado Theater (May 22\u201327).
Jes\u00fas Puerto Gallery, Granada. Exhibition on the engravings from the book “Poeta en Nueva York”. June.
Museum of Contemporary Spanish Engraving, Marbella, (Malaga): anthological exhibition of his engravings. July 15\u2013September 25.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1994<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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National Printmaking Award Mar\u00eda de Salamanca, Museum of Spanish Contemporary Engraving, Marbella (M\u00e1laga).
Exhibition of the 1993 National Printmaking Awards, Museum of Spanish Contemporary Engraving, Marbella (M\u00e1laga). February 8\u2013March 13.
Retrospective of Prints 1965\u20131994, Caja Jal\u00f3n Gallery, Zaragoza. February 22\u2013April 12.
“Realismos”, Conde Duque Cultural Center, Madrid. February\u2013April.
Exhibition of the original works of “Poeta en Nueva York” and “Hazme de la noche un cuento”, Juli\u00e1n Sim\u00f3n Art Center, Toledo, June.
“4 artistas de la Academia de Extremadura”, Medical College Halls, C\u00e1ceres. April 9\u201317.
“El Arte en el mundo de los toros”, Hornazas Halls, Royal Mint, Hon. City Council of Seville (Seville). April 18\u2013May 1.
“Colecci\u00f3n Lorenzana”, Casa del Cord\u00f3n, Burgos, April\u2013June.
“14 pintores extreme\u00f1os contempor\u00e1neos”, Spanish Red Cross. M\u00e9rida, Assembly of Extremadura, February 9\u201328; Plasencia, Sta. Mar\u00eda Cultural Complex, March 1\u201315; Badajoz, Hall of the Government of Extremadura, March 17\u2013April 13; C\u00e1ceres, “el Brocense” Cultural Institution, April 11\u201330; Madrid, BBV Exhibition Halls, June 15\u2013July 8.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1995<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cIII Bienal Internacional del Grabado de la Caixa de Ourense\u201d, Cultural Center, Orense, December 14, 1994 \u2013 January 21, 1995.
\u201cEduardo Naranjo: obra gr\u00e1fica y un cuadro de taller\u201d, Ceberino Franco Gallery, Badajoz, December 18, 1995 \u2013 January 31, 1996.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1996<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cRealismos\u201d, Ansorena Gallery, Madrid, December 14 \u2013 January 30.
\u201cExposici\u00f3n conmemorativa del CCL aniversario del nacimiento de Goya\u201d. Royal Alc\u00e1zar of Seville, May.
\u201cGravats\u201d, Altea Cultural Center, Alicante, August 22 \u2013 September 12.
\u201cExposici\u00f3n colectiva de pintura de 19 artistas contempor\u00e1neos\u201d, Franco Nisa Gallery, Badajoz, October 25.
\u201cGrabados de Poeta en Nueva York\u201d, Chapel of San Pedro, Aracena, Huelva, October \u2013 November.
\u201cAurelio Biosca, homenaje y recuerdo\u201d, Alfama Gallery, Madrid, November.
\u201cIV Bienal Internacional del Grabado\u201d, Caixa Ourense, November.
\u201cAcademia II: exposici\u00f3n de la Real Academia de Extremadura de las Letras y las Artes\u201d, Cloister of the Metropolitan Cathedral, Badajoz, December 20 \u2013 30.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1997<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cPoeta en Nueva York y un dibujo de la \u00e9poca\u201d, Casino Halls, University of Seville, January \u2013 February.
\u201cPoeta en Nueva York\u201d, CajaSur Exhibition Hall, C\u00f3rdoba, March 3 \u2013 22.
\u201c14 pintores extreme\u00f1os\u201d, Spanish Red Cross, Christian Franco Gallery, Badajoz, June 10 \u2013 18.
On October 4, he was admitted to the Royal Academy of Letters and Arts of Extremadura, in a ceremony held at the Monastery of Tentud\u00eda (Badajoz), where he delivered his acceptance speech \u201cDel arte y otras razones subjetivas\u201d, to which H.E. Mr. J.M. Santiago Castelo responded.
\u201cPoeta en Nueva York y un dibujo de la \u00e9poca\u201d, UMA Exhibition Hall, M\u00e1laga, December.
\u201cExposici\u00f3n homenaje a D. Jos\u00e9 Hern\u00e1ndez D\u00edaz\u201d, Museum of Fine Arts of Seville, December 1997 \u2013 January 1998.
\u201cEduardo Naranjo en 1991 y el teatro: Hazme de la noche un cuento, de Jorge M\u00e1rquez\u201d, Christian Franco Gallery, Badajoz, December 19, 1997 \u2013 January 15, 1998.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1998<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cFederico Garc\u00eda Lorca: grabado en la memoria\u201d, Museum of Spanish Contemporary Engraving of Marbella, M\u00e1laga, July \u2013 September.
\u201cPoeta en Nueva York: dibujos y grabados\u201d (acquisition), M.E.I.A.C. of Badajoz, May.
\u201cEl arte al desnudo\u201d, Chicarreros Exhibition Hall, Caja San Fernando, Seville, May 22 \u2013 June 28.
He is elected Corresponding Academician of the Royal Academy of C\u00f3rdoba.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1999<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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ARCO, M.E.I.A.C., Department of Culture and Heritage of Extremadura. Eduardo Naranjo, 1993\u20131999, \u201cLa flor y el paisaje\u201d, Leandro Navarro Gallery; Madrid, November 3 \u2013 December 11.
Group Exhibition: \u201cSecretos del desnudo\u201d, 1999\u20132000, Provincial Museum of Ja\u00e9n and La General Cultural Center of Almer\u00eda.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2000<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Personal Retrospective, 1958\u20132000, in Galicia, sponsored by Caixanova: Museum of Lugo, Caixanova Halls in Orense, Pontevedra and Vigo, and Kiosco Alfonso in La Coru\u00f1a. September 2000 \u2013 February 2001.
Group Exhibitions: \u201cFiguraci\u00f3n versus realismo\u201d, Museum of Spanish Contemporary Engraving, Marbella (M\u00e1laga).
V Anniversary Exhibition, \u201cCinco maestros extreme\u00f1os\u201d, Christian Franco Gallery, Badajoz, May.
\u201cVII sal\u00f3n de los trece\u201d, Caja Madrid Retiro Hall, September 27 \u2013 October 18.
\u201cEl dibujo en el siglo XX\u201d, Las Claras Cultural Center, Murcia, October 3 \u2013 31.
\u201cSecretos del desnudo\u201d, Fundaci\u00f3n Caja Vital Kutxa Hall, Vitoria and \u00c1lava, September \u2013 October; Provincial Museum of Ja\u00e9n, La General Cultural Center of Almer\u00eda and Caja Granada exhibition halls.
\u201cArtistas espa\u00f1oles actuales en el V centenario de Carolas\u201d, Museum of Contemporary Art of Toledo, October \u2013 December, and Caja Castilla La Mancha Exhibition Hall, Talavera de la Reina, February 1 \u2013 25.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Continuous activity<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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2001<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cForo Sur\u201d, C\u00e1ceres, with Christian Franco Gallery of Badajoz, April 5 \u2013 8.
\u201cNocturnos\u201d, Leandro Navarro Gallery, Madrid, December 12, 2001 \u2013 January 30, 2002.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t2002<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Group Exhibitions: \u201cDibujos para un siglo\u201d, Fundaci\u00f3n Caja Vital Kutxa, Vitoria and \u00c1lava, September 18 \u2013 October 30. \u201cEl arte del desnudo\u201d: Casa de Vacas, Madrid, September 5 \u2013 October 30; Casa de Zabala, Cuenca, November 3 \u2013 December 18; San Prudencio Cultural Center, Talavera de La Reina, December 21, 2002 \u2013 January 10, 2003.
\u201cArtistas espa\u00f1oles actuales en el centenario de la Escuela de Arte de Toledo\u201d, Mat\u00edas Moreno Hall, Toledo, April 27 \u2013 May 30. Artium, Basque Museum-Centre of Contemporary Art, Vitoria, acquires his 1972 painting \u201cLas tuber\u00edas\u201d. FERIARTE, Heller Gallery, Madrid, November 22\u201330.
Solo Exhibitions: Exhibition of the painting \u201cVanesa\u201d, Salda\u00f1a Palace, Madrid, January 23 \u2013 February 3. Personal Retrospective Exhibition at the Caja Sur Museum Exhibition Hall, C\u00f3rdoba; San Hermenegildo Municipal Hall, Seville; and Museum of Fine Arts, Badajoz, sponsored by Caja Sur, February \u2013 July.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2003<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cEl arte del desnudo\u201d, National Auditorium, Puertollano, January 15 \u2013 February 28, and L\u00f3pez Villase\u00f1or Municipal Museum, Ciudad Real, March 2 \u2013 April 12. \u201cLa mirada realista\u201d, as part of the exhibition \u201cMirada al siglo XX\u201d, Palacio de los Serranos of Caja \u00c1vila, \u00c1vila, January 8 \u2013 March 29. \u201cAENA: Colecci\u00f3n de Arte Contempor\u00e1neo\u201d, Exhibition Hall of the Provincial Council of Lugo and Fundaci\u00f3n Caixa Galicia Hall in Lugo, April \u2013 May.
Solo Exhibitions: \u201cGrabados de La Creaci\u00f3n, Poeta en Nueva York y un cuadro de taller\u201d, Bezmiliana Fortress House, Rinc\u00f3n de La Victoria (M\u00e1laga), July 4 \u2013 August 3.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2004<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cVisiones de la realidad\u201d, Fundaci\u00f3n Caja Vital Kutxa, Vitoria. October 7 \u2013 November 14.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2005<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cRealidades de la realidad\u201d, Santa Cruz Museum, Toledo, July 6 \u2013 September 18, and Palacio del Almud\u00ed, Murcia, October 14 \u2013 November 30. \u201cLa belleza como pasi\u00f3n\u201d, Leandro Navarro and Concepci\u00f3n Valero Collection, Casa del Cord\u00f3n Cultural Center, Burgos, April 27 \u2013 June 27. \u201cAena, Colecci\u00f3n de Arte Contempor\u00e1neo\u201d, Episcopal Palace, M\u00e1laga, May 13 \u2013 June 12. \u201cLenguajes pict\u00f3ricos\u201d: \u201cEspacio de arte\u201d Gallery, Ol\u00edas del Rey (Toledo), September 29 \u2013 October 30. \u201cReal Current Spanish Art\u201d (Museum of Contemporary Art, Nagasaki, Japan), December 2005 \u2013 February 2006.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2006<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cRealismos\u201d, Museum of the City of Valencia, April\u2013May, and at Llanes Castle (Asturias), July\u2013September. \u201cEstampa\u201d Fair, Madrid, with Taller del Prado.
Solo Exhibitions: \u201cEduardo Naranjo en la XXII cita con el dibujo\u201d, Alfama Gallery, Madrid, February. Exhibition of the prints from \u201cPoeta en Nueva York\u201d and the portfolio of 10 screen prints, Assembly of Extremadura (M\u00e9rida), April\u2013May. On May 24, on the occasion of the donation of the print book \u201cPoeta en Nueva York\u201d to the National Library, the institution presents the most recent book on his work, published by Lunverg in collaboration with the Assembly of Extremadura, with a presentation by Professor Juan Luna of the Prado Museum.
He writes articles such as the one on the poet Jos\u00e9 Hierro and the painter Juan Barjola, published in \u201cLa Raz\u00f3n\u201d in Madrid and \u201cHoy\u201d in Badajoz; as well as several forewords on fellow artists for their catalogues. He also participates as a speaker at various conferences, such as the one held on November 2 at the Valencia Conference Center on the occasion of the \u201cXVI Congreso Internacional de Conservaci\u00f3n y Restauraci\u00f3n de Bienes Culturales\u201d, organized by its Polytechnic University and UNESCO, and the \u201cArte y Patrimonio\u201d conference at the University of C\u00e1ceres, in Alc\u00e1ntara.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2007<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cEl Arte del Desnudo, siglos XIX-XXI\u201d, Santa Cruz de Tenerife and Las Palmas de Gran Canaria, September 2006 \u2013 January 2007; \u201cAena, Colecci\u00f3n de Arte Contempor\u00e1neo\u201d, 2006\u20132007; and \u201cRealidades de la Realidad\u201d, Casa de Vacas del Retiro, Madrid, May\u2013July, and at the Caja Castilla La Mancha exhibition halls, Albacete, September\u2013October. His painting \u201cVanesa\u201d presides, as guest artist, over the \u201cV Certamen de Pintura Cooperativa Virgen de las Vi\u00f1as\u201d exhibition in Tomelloso (Ciudad Real), January\u2013February. At \u201cEstampa\u201d, the print Misteriosa Laura is presented alongside other works by the artist.
Solo Exhibitions: Exhibition of his graphic work in general at the Infanta Cristina Halls in Pinto, Madrid, February\u2013March, and of the prints and screen prints based on \u201cPoeta en Nueva York\u201d at the International Center for Contemporary Printmaking of the CIEC Foundation, Betanzos (La Coru\u00f1a), April. D\u2019art 3 Punts Gallery, Barcelona, November 2007 \u2013 January 2008.
The matrix plates for the book \u201cPoeta en Nueva York\u201d, as well as those for the prints \u201cDel mar y otros universos\u201d and \u201cOrqu\u00eddea I (la aurora)\u201d, are transferred to the National Chalcography (Madrid). His important 1979 painting \u201cEl sue\u00f1o con las musas\u201d and its studies, as well as the 1998 drawing \u201cCarlos en el estudio\u201d, also become the property of the Reina Sof\u00eda Museum. He gives Master Classes at the Garc\u00eda Lorca Cultural Center in Rivas Vaciamadrid and at the Faculty of Fine Arts of San Fernando, as part of the course on \u201cPaisaje y arquitectura\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2008<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: Participant in the exhibition \u201cConversaciones\u201d, Aena, Contemporary Art Collection, at the MEIAC in Badajoz. \u201cObra gr\u00e1fica III edici\u00f3n\u201d, Espacio de Arte Gallery, Ol\u00edas del Rey (Toledo), February\u2013March. \u201cCita con el dibujo\u201d, Espacio de Arte Gallery, Ol\u00edas del Rey (Toledo), March 17\u2013April 19. \u201cEl pulso del arte contempor\u00e1neo\u201d, Artists from the Collection of the Assembly of Extremadura, Assembly Halls, M\u00e9rida, April\u2013May.
Solo Exhibitions: \u201cEduardo Naranjo: En las fuentes de Garc\u00eda Lorca\u201d, exhibition in the temporary galleries of the Gregorio Prieto Museum, Valdepe\u00f1as, September 2\u201330. Gregorio Prieto Foundation.
Creates the portfolio of ten prints \u201cTauromaquia\u201d, published by Taller del Prado.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2009<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: “Escultura Obra Gr\u00e1fica Aena Arte”, Exhibition Halls of the Rectorate of the University of M\u00e1laga, M\u00e1laga, February 27 \u2013 April 26. “Pintura Escultura Aena Arte”, Villavicencio Palace, Jerez de la Frontera, May 7 \u2013 June 21. \u201cRealidades de la realidad\u201d, Caja Duero Hall, Salamanca, September\u2013October. “arte en los aeropuertos (colecci\u00f3n Aena)”, Palacio los Serrano, \u00c1vila, November 20 \u2013 January 17. “Arte Bajo Cero”, Sharon-Art Gallery, Le\u00f3n, December 11 \u2013 January 12.
Solo Exhibitions: \u201cTauromaquia”, Sharon-Art Gallery, Le\u00f3n, October 16 \u2013 November 8. \u201cGrabados en el Museo de Bellas Artes\u201d. Badajoz. December 15, 2009 \u2013 February 28, 2010.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2010<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cEl Arte del Desnudo\u201d. Toledo. March 11, 2010.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2011<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cMagische Figuration aus spanien\u201d, Panorama Museum, Bad Frankenhausen, Germany.
Solo Exhibitions: Exhibition Hall of the San Antonio Cultural Center, Almendralejo \u2013 Badajoz. \u201cTauromaquia\u201d, Zafra, Almendralejo, Don Benito and M\u00e9rida.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2013<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Solo Exhibitions: L\u00e9ucade Gallery. Murcia. \u201cEduardo Naranjo, El poeta pl\u00e1stico y otros universos\u201d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2014<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cDe Picasso a Barcel\u00f3\u201d, Cultural Center of the Catholic University of Lima (Peru).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2016<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cOtra realidad\u201d, Prado 19 Hall, Ateneo de Madrid. \u201cRealismo en Espa\u00f1a, 50 a\u00f1os\u201d, Baluarte Hall, Tres Cantos, Madrid.
Solo Exhibitions: CAFA Museum, Beijing. \u201cThe Overlapping Time\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2017<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cLa apariencia de lo real\u201d, Thyssen Museum M\u00e1laga, M\u00e1laga. April 6 \u2013 September 10.
Solo Exhibitions: National Art Museum of China (NAMOC). January. Quan Shanshi Art Center, Hangzhou, March. Ningbo Art Museum, Ningbo, April. \u201cEduardo Naranjo\u201d, Print Exhibition, Ignacio Zuloaga Hall, Fuendetodos (Goya\u2019s birthplace), March 30 \u2013 June 11.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2018<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Solo Exhibitions: Gaviria Palace, Madrid. \u201cEduardo Naranjo, obras recientes\u201d. June 12 \u2013 July 30.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2020<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cHomenaje a Eduardo Naranjo\u201d, Moncloa Cultural Center, Madrid. February \u2013 March.
Solo Exhibitions: MUBA Museum, Badajoz. \u201cEl lugar de la figura\u201d. January 16 \u2013 March 8.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2021<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Group Exhibitions: \u201cArtes y ciencia del siglo XXI\u201d, National Museum of Natural Sciences, Madrid. March 25 \u2013 August 30.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Early years 1944 He was born on August 25th in Monesterio (Badajoz), into a family of small farmers. 1950 – 1957 He completed his primary education at the Monesterio Children’s Schools. His passion for drawing and sculpture awoke very early on. Soon his inclination shifted…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9127","page","type-page","status-publish","hentry"],"yoast_head":"\nBiography - Fundaci\u00f3n Eduardo Naranjo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fundacioneduardonaranjo.org\/en\/biography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biography - Fundaci\u00f3n Eduardo Naranjo\" \/>\n<meta property=\"og:description\" content=\"Early years 1944 He was born on August 25th in Monesterio (Badajoz), into a family of small farmers. 1950 – 1957 He completed his primary education at the Monesterio Children’s Schools. 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